Showing posts with label English Listening Skill. Show all posts
Showing posts with label English Listening Skill. Show all posts

Teaching the Grammar of Past-Time Narrative

3/24/09


Jennifer Mullins
Department Of Applied Linguistics & ESL
Georgia State University
Atlanta, Georgia USA
Introduction

This module is designed for low-intermediate ESL students in an Intensive English Program. The proposed audience is based on the classes I teach at Georgia Tech--students are from a total of 31 countries; they are literate in their L1; some intend to study at a college or graduate school in the U.S., but others are studying English for work-related reasons or for personal enrichment. A very high value is placed by our administration on students' satisfaction--which can be challenging given the widely differing goals of the students. To address students' expectations, it seems necessary for each course to incorporate some academically oriented materials, some business applications, and some cultural information/American popular culture.

In this module, I want to share my ideas about how the features of grammar associated with past-time narrative can be taught as a cluster. Or, to put it another way, how the teaching of the various features that cluster together can be integrated into a meaningful whole. These ideas derive from a study by Biber (1988) identifying clusters of grammatical features that co-occur in several discourse types. This analysis has great potential for application in the teaching of English as a Second Language (Byrd, in press). McCarthy (1991) also writes of the importance of "teachers and material writers paying greater attention to the insights offered by naturally occurring data."(p. 87) The challenge for the classroom teacher is to incorporate these insights into his/her approach to teaching and to find ways to implement this approach in actual course design/planning and teaching. In designing this module, I felt tension between my conception of how this material might ideally be taught and my awareness of the realities of the context in which I teach. I decided that a module based on a specific teaching situation would be most useful as a teaching resource. For some, the specific activities I suggest may be helpful and applicable. Beyond that, my hope is that in showing how a grammar from context model was adapted to fit one teaching situation, I will help others to see possibilities for adapting it to theirs.

Three discourse types that are particularly significant in Biber's (1988) study are: 1) involved (informal person to person communication, frequently oral); 2) informational, and 3) narrative, which is the focus of this module. The grammar features identified by Biber as associated with past-time narrative are: past tense verbs, third person pronouns, perfect aspect verbs, public verbs, synthetic negation, and present participials. This module incorporates all of these features except synthetic negation, which does not occur with any regularity in the texts selected. Biber's (1988) definitions of these features, intended, I believe, to facilitate understanding of his research methods, are cryptic. I will therefore refer to Celce-Murcia and Larsen-Freeman (1983) as needed for help with defining the features and clarifying some of the teaching issues in dealing with them. Throughout, I will attempt to ensure that the definitions and explanations used are compatible with the features identified by Biber.

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The Teaching Program: A Conceptual Model
Organization of the Program

The table provides a sample timetable for teaching grammar through narrative and informational discourse types during a 10-week quarter. This module will focus on narrative only; the entire quarter is presented in outline form to give an idea of how the narrative discourse type might be made part of a syllabus that is based in discourse types. Note that in the Georgia Tech program, involved communication is practiced in an oral skills class and also in the discussion component of the reading & discussion class. However, discussion does play a role in this writing class. Where it does so, its purpose is to activate schema about the content, and to begin to practice vocabulary as well as to provide those students whose learning styles are aural/oral with an opportunity to do some of the thinking on a topic before beginning to write. In addition, exercises are also conducted in pairs or small groups at times for the same reasons and also to provide variety and interest. Activities using videos incorporate a visual element into selected class sessions. Awareness of the importance of addressing differing learning styles is growing in the ESL teaching community, and it's relevance for the teaching of grammar is discussed by Reid (in press).

To avoid a too radical departure from what is expected in our program, the discourse types are first introduced to provide authentic text to analyze for a discussion of paragraph form and sentence-level concerns--sentence types and punctuation. These same texts are then used to introduce each of the segments dealing with a specific discourse type. After they are recycled, additional texts are introduced.

The thematic content of the texts selected is varied due to the variety of our students interests and purposes in studying English. However, some themes do recur. For example, the piece by Marian Wright Edelman, which is used in the first narrative segment, addresses issues that are raised again in the final segment on narrative with a selection from the biography of Dr. Martin Luther King, Jr.

In each segment, grammatical features are first introduced through an authentic text. That is, the student will encounter the grammatical features in the text. Not all of the features of narrative discourse in the text can or should be addressed in a single segment. Additionally, because this module is directed towards low-intermediate students, some explicit grammar instruction will likely be necessary once the feature has been discussed in the context of the passage. The explicit instruction could then be followed by focussed practice (ideally also based on the text) and more communicative practice, typically involving student writing related to the theme of the text. The structure of the module is designed to spiral back to the grammar features of each discourse type. In a subsequent segment on narrative, the student will be asked to focus on a different or additional aspect of the grammar of past-time narrative--one which they will already have seen in the previous narrative text. The student, then, becomes accustomed to seeing these grammatical features in proximity to one another. It is not necessary at this level for him or her to be able to produce all of these features. In fact, participials, which appear in the final segment, need only be recognized by the students.

By now, much in the design of this module will appear familiar. There is nothing new in the grammar features being taught. The past tense, for example, has always been a focus of language instruction. Additionally, the sequencing of the grammar lesson suggested above--presentation followed by focused practice and then communicative practice is common and has been described by Celce-Murcia and Hilles (1988) among others. The use of texts to provide content on which to base writing assignments is familiar to some of us from our own foreign language learning experiences. To my knowledge, it is now common in ESL classes at both Georgia Tech and Georgia State in Atlanta, Georgia, U.S.A. What is new is that the text is now being used to do part of the presentation of the grammar feature. It is being used not only as a source of content, but also as the focal point for the study of these specific grammar features. And it is the co-occurrence of specific grammatical features in certain kinds of texts that helps to determine the sequencing of the grammar features to be studied. As an example of how this can alter the approach to teaching a feature, consider how the past tense is often handled in class. Formerly, when I presented the past tense, I typically reviewed regular and irregular forms followed by formation of the negative and of Yes/No and information questions. All of this is important information. But Biber's (1988) work points out that information (WH) questions do not typically appear in narrative writing, while they frequently appear in interpersonal communication. By providing students with examples of authentic texts, and then focussing on specific grammatical features that occur in those texts, we are presenting together those features which they will encounter together and which ultimately they will need to produce together to create meaningful texts of their own.

This approach to teaching grammar from context is suggested by Byrd (in press). Note that, in this model, explicit teaching of forms is not being abandoned. But choices about the order in which to present the forms would be made based on discourse type.

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The Challenge of Teaching Listening Skills-English Room

12/17/08

Teaching listening skills is one of the most difficult tasks for any ESL teacher. This is because successful listening skills are acquired over time and with lots of practice. It's frustrating for students because there are no rules as in grammar teaching. Speaking and writing also have very specific exercises that can lead to improved skills. This is not to say that there are not ways of improving listening skills,however they are difficult to quantify.

One of the largest inhibitors for students is often mental block. While listening, a student suddenly decides that he or she doesn't understand what is being said. At this point, many students just tune out or get caught up in an internal dialogue trying translate a specific word. Some students convince themselves that they are not able to understand spoken English well and create problems for themselves.

They key to helping students improve their listening skills is to convince them that not understanding is OK. This is more of an attitude adjustment than anything else, and it is easier for some students to accept than others. Another important point that I try to teach my students (with differing amounts of success) is that they need to listen to English as often as possible, but for short periods of time.

I like to use this analogy: Imagine you want to get in shape. You decide to begin jogging. The very first day you go out and jog seven miles. If you are lucky, you might even be able to jog the seven miles. However, chances are good that you will not soon go out jogging again. Fitness trainers have taught us that we must begin with little steps. Begin jogging short distances and walk some as well, over time you can build up the distance. Using this approach, you'll be much more likely to continue jogging and get fit.

Students need to apply the same approach to listening skills. Encourage them to get a film, or listen to an English radio station, but not to watch an entire film or listen for two hours. Students should often listen, but they should listen for short periods - five to ten minutes. This should happen four or five times a week. Even if they don't understand anything, five to ten minutes is a minor investement. However, for this strategy to work, students must not expect improved understanding too quickly. The brain is capable of amazing things if given time, students must have the patience to wait for results. If a student continues this exercise over two to three months their listening comprehension skills will greatly improve.

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TOEFL Grammar Exercises

11/3/08


All About TOEFL
More TOEFL Exercises
TOEFL New York , TOEFL Boston, Toronto

Directions: The questions here test your knowledge of English grammar. Each question consists of a short written conversation, part of which has been omitted.

Four words or phrases, labelled 1, 2, 3, and 4, are given below the conversation. Choose the word or phrase that will correctly complete the conversation. Click on the answer you think is correct.

1. What year did you _____ university?
graduate
graduate from
graduating
graduating from





2. It seems to be getting worse. You had better _____ a specialist.
consult
consult to
consult with
consult by





3. Chicago is a large city, _____?
aren't it
doesn't it
won't it
isn't it





4. Don't leave your books near the open fire. They might easily _____.
catch to fire
catch the fire
catch on fire
catch with fire





5. Do you enjoy _____?
to swim
swimming
swim
to swimming





6. I have trouble _____.
to remember my password
to remembering my password
remember my password
remembering my password





7. Do you have _____ to do today? We could have a long lunch if not.
many work
much work
many works
much works





8. My brother will _____ for a few nights.
provide us up
provide us in
put us up
put us in





9. When will the meeting _____?
hold on
hold place
take on
take place





10. The board meeting was held _____.
at Tuesday
on Tuesday
with Tuesday
in Tuesday





11. Why don't you _____ us?
go to the house party with
go together the house party with
go the house party with
together the house party with





12. That awful accident occurred _____.
before three weeks
three weeks before
three weeks ago
three weeks past





13. They didn't _____ John's plan?
agree with
agree to
agree
agree about





14. The social worker _____ the two old sisters who were ill.
called to the house of
called on the house of
called to
called on





15. Tomorrow is Paul's birthday. Let's _____ it.
celebrate
praise
honor
congratulate





16. If you don't understand the text, don't hesitate _____.
ask a question
asking a question
to ask a question
to asking a question





17. It's snowing. Would you like to _____ on Saturday or Sunday?
skiing
go to ski
go skiing
go ski





18. Our company didn't pay _____ for that banner advertisement.
much funds
many funds
many money
much money





19. Do you feel like _____ now?
swimming
to swim
swim
to go swimming





20. Tom was thrilled to be _____ such a beautiful and interesting lady.
introduced
introduced at
introduced with
introduced to





21. "What happened to them last night? They look depressed"
"I don't think _____ happened."
nothing
everything
something
anything





22. "It is not very cold. I don't think we need these big jackets."
"I don't think so, _____."
anyway
neither
either
too





23. "Bill is not doing well in class."
"You must _____, that he is just a beginner at this level."
keep minding
keep to mind
keep in mind
keeping in mind





24. "Excuse me. Do you know where the bus terminal is?"
"It is _____ the large police station."
opposite
opposed to
opposite with
opposite to





25. "Those students will perform the annual school play."
"Yes, it is _____ for next week."
due
scheduled
time-tabled
put on






TOEFL Course in New York, TOEFL Canada - Toronto
You are here: English Lessons>TOEFL Grammar Exercises, Test Practise, Grammar Examples

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Toelf Structure

10/31/08

Purpose of the TOEFL Test

The purpose of the TOEFL test is to evaluate the English proficiency of people who are non-native English speakers. In addition, international companies, government agencies, scholarship programs, and recruitment agencies use TOEFL scores to evaluate English proficiency.

CBT: The TOEFL test on computer combines many of the same question types as the traditional paper-based test with new question types that can be offered only in the computer format. This is an easy-to-use testing system for even the most basic computer users.

The Computer-Based TOEFL Test has 4 sections

Section 1: Listening
Section 2: Structure (Grammar)
Section 3: Reading
Section 4: Writing

1. Listening Comprehension:
Measures the ESL student's ability to understand North American English.

2. Structure & Written Expression
Measures the ESL student's ability to recognize language appropriate for standard written English.

3. Vocabulary & Reading Comprehension
Measures the ESL student's ability to understand non-technical reading material.

4. Essay Writing
Measures the ESL student's ability to express ideas in standard written English.

Scoring:

The score range on the CBT TOEFL Test is: 0-300. In other words, the highest possible total score is 300 points.

This breaks down in each section as a scaled score:

Listening: 0-30
Structure/Writing: 0-30
Reading Comprehension: 0-30
TOTAL SCALED SCORE: 0-300

The score from the essay in the Writing Section is included in the Structure score. The essay is graded on a scaled score of 0 to 6. 6 is the highest possible total score on the Writing Section. Note: The essay score is one sixth of the total test score.

Number of Questions in the test and the time to complete each section:

Tutorials: 7 untimed tutorials explaining in detail the exam procedure

Listening: 30 to 49 questions with 15-25 minutes to answer the questions. 40-60 minutes to complete entire section. The clock runs while you are answering questions, but not while you are listening to conversations and talks.

Structure: 20-25 questions with 15-20 minutes to complete the questions.

Reading: 44-55 questions with 70-90 minutes to complete the section (includes time spent reading passages and answering questions).

Writing: One assigned essay topic, with 30 minutes to write the essay.


How often can I take the CBT TOEFL test?

If I cancel my scores, can I take the test again?

You may take the CBT TOEFL test only once in any calendar month, even if you took the test and cancelled your scores. For example, if you test in May, you must wait until June to take it again. IMPORTANT: If you take the test more than once in a calendar month, your new scores will not be reported and your test fee will not be refunded. Violation of this policy may also result in additional action being taken.

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Teaching Listening Skills

5/31/08

The Challenge of Teaching Listening Skills
From Kenneth Beare,
Your Guide to English as 2nd Language.
FREE Newsletter. Sign Up Now!

Teaching listening skills is one of the most difficult tasks for any ESL teacher. This is because successful listening skills are acquired over time and with lots of practice. It's frustrating for students because there are no rules as in grammar teaching. Speaking and writing also have very specific exercises that can lead to improved skills. This is not to say that there are not ways of improving listening skills, however they are difficult to quantify.

One of the largest inhibitors for students is often mental block. While listening, a student suddenly decides that he or she doesn't understand what is being said. At this point, many students just tune out or get caught up in an internal dialogue trying translate a specific word. Some students convince themselves that they are not able to understand spoken English well and create problems for themselves.
Sponsored Links

They key to helping students improve their listening skills is to convince them that not understanding is OK. This is more of an attitude adjustment than anything else, and it is easier for some students to accept than others. Another important point that I try to teach my students (with differing amounts of success) is that they need to listen to English as often as possible, but for short periods of time.

I like to use this analogy: Imagine you want to get in shape. You decide to begin jogging. The very first day you go out and jog seven miles. If you are lucky, you might even be able to jog the seven miles. However, chances are good that you will not soon go out jogging again. Fitness trainers have taught us that we must begin with little steps. Begin jogging short distances and walk some as well, over time you can build up the distance. Using this approach, you'll be much more likely to continue jogging and get fit.

Students need to apply the same approach to listening skills. Encourage them to get a film, or listen to an English radio station, but not to watch an entire film or listen for two hours. Students should often listen, but they should listen for short periods - five to ten minutes. This should happen four or five times a week. Even if they don't understand anything, five to ten minutes is a minor investement. However, for this strategy to work, students must not expect improved understanding too quickly. The brain is capable of amazing things if given time, students must have the patience to wait for results. If a student continues this exercise over two to three months their listening comprehension skills will greatly improve.

Read more...

English Listening Skill

2/16/08

What does it mean to really listen?

    Real listening is an active process that has three basic steps.
  1. Hearing. Hearing just means listening enough to catch what the speaker is saying. For example, say you were listening to a report on zebras, and the speaker mentioned that no two are alike. If you can repeat the fact, then you have heard what has been said.
  2. Understanding. The next part of listening happens when you take what you have heard and understand it in your own way. Let's go back to that report on zebras. When you hear that no two are alike, think about what that might mean. You might think, "Maybe this means that the pattern of stripes is different for each zebra."
  3. Judging. After you are sure you understand what the speaker has said, think about whether it makes sense. Do you believe what you have heard? You might think, "How could the stripes to be different for every zebra? But then again, the fingerprints are different for every person. I think this seems believable."

Tips for being a good listener

  1. Give your full attention on the person who is speaking. Don't look out the window or at what else is going on in the room.
  2. Make sure your mind is focused, too. It can be easy to let your mind wander if you think you know what the person is going to say next, but you might be wrong! If you feel your mind wandering, change the position of your body and try to concentrate on the speaker's words.
  3. Let the speaker finish before you begin to talk. Speakers appreciate having the chance to say everything they would like to say without being interrupted. When you interrupt, it looks like you aren't listening, even if you really are.
  4. Let yourself finish listening before you begin to speak! You can't really listen if you are busy thinking about what you want say next.
  5. Listen for main ideas. The main ideas are the most important points the speaker wants to get across. They may be mentioned at the start or end of a talk, and repeated a number of times. Pay special attention to statements that begin with phrases such as "My point is..." or "The thing to remember is..."
  6. Ask questions. If you are not sure you understand what the speaker has said, just ask. It is a good idea to repeat in your own words what the speaker said so that you can be sure your understanding is correct. For example, you might say, "When you said that no two zebras are alike, did you mean that the stripes are different on each one?"
  7. Give feedback. Sit up straight and look directly at the speaker. Now and then, nod to show that you understand. At appropriate points you may also smile, frown, laugh, or be silent. These are all ways to let the speaker know that you are really listening. Remember, you listen with your face as well as your ears!

Thinking fast

    Remember: time is on your side! Thoughts move about four times as fast as speech. With practice, while you are listening you will also be able to think about what you are hearing, really understand it, and give feedback to the speaker.

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English Listening Skill

Listening Skills

The average college student spends about 14 hours per week in class listening (or perhaps I should say "hearing"--there is a difference!) to lectures. See if you can improve your listening skills by following some of the strategies below:

Maintain eye contact with the instructor. Of course you will need to look at your notebook to write your notes, but eye contact keeps you focused on the job at hand and keeps you involved in the lecture.

Focus on content, not delivery. Have you ever counted the number of times a teacher clears his/her throat in a fifteen minute period? If so, you weren't focusing on content.

Avoid emotional involvement. When you are too emotionally involved in listening, you tend to hear what you want to hear--not what is actually being said. Try to remain objective and open-minded.

Avoid distractions. Don't let your mind wander or be distracted by the person shuffling papers near you. If the classroom is too hot or too cold try to remedy that situation if you can. The solution may require that you dress more appropriately to the room temperature.

Treat listening as a challenging mental task. Listening to an academic lecture is not a passive act--at least it shouldn't be. You need to concentrate on what is said so that you can process the information into your notes.

Stay active by asking mental questions. Active listening keeps you on your toes. Here are some questions you can ask yourself as you listen. What key point is the professor making? How does this fit with what I know from previous lectures? How is this lecture organized?

Use the gap between the rate of speech and your rate of thought. You can think faster than the lecturer can talk. That's one reason your mind may tend to wander. All the above suggestions will help you keep your mind occupied and focused on what being said. You can actually begin to anticipate what the professor is going to say as a way to keep your mind from straying. Your mind does have the capacity to listen, think, write and ponder at the same time, but it does take practice.

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English Listening Skill

2/2/08

English Listening Skill
Introduction

Writing is the productive skill in the written mode. It, too, is more complicated than it seems at first, and often seems to be the hardest of the skills, even for native speakers of a language, since it involves not just a graphic representation of speech, but the development and presentation of thoughts in a structured way.

Micro-skills

Here are some of the micro-skills involved in writing. The writer needs to:

  • use the orthography correctly, including the script, and spelling and punctuation conventions.
  • use the correct forms of words. This may mean using forms that express the right tense, or case or gender.
  • put words together in correct word order.
  • use vocabulary correctly.
  • use the style appropriate to the genre and audience.
  • make the main sentence constituents, such as subject, verb, and object, clear to the reader.
  • make the main ideas distinct from supporting ideas or information.
  • make the text coherent, so that other people can follow the development of the ideas.
  • judge how much background knowledge the audience has on the subject and make clear what it is assumed they don't know.

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